Maurice Ravel - Gaspard de la nuit
A collection of prose poems by the French Romantic Aloysius Bertrand inspired Ravel to write his piano cycle “Gaspard de la nuit”. Unlike earlier works he does not merely create an atmospheric depiction of the literary model – in ...
Domenico Dragonetti - Zwölf Walzer für Kontrabass solo
We have uncovered a true delight for double bass players: a collection of twelve stylized waltzes by Beethoven’s contemporary Domenico Dragonetti. The “Paganini of the double bass” grew up in Venice, but moved to London as an ...
Franz Schubert - Streichquartett a-moll op. 29 D 804 (Rosamunde)
The quartet in a minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience, as the “Rosamunde” Quartet ...
Robert Schumann - Streichquartette op. 41
Although Schumann’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets op. 41 in a minor, F major and A major were written in one go in June/July 1842. At the ...
Franz Schubert - Streichquintett C-dur op. post. 163 D 956
No music lover can remain untouched by the emotional quality of this work, composed in Schubert’s last year. The monumental weight of the outer movements, the intimate lyricism of the “Adagio”; as well as the unusual timbre ensure ...
Max Bruch - Romanze F-dur op. 85
A pearl in the romantic repertoire, Bruch’s “Romance” has long occupied a permanent place in its original version for viola, whether in lessons or on the concert stage. Our edition is the first to take every relevant source into ...
Die Periode der Hexenprozesse
Die Periode der Hexenprozesse ist ein unveränderter, hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1882. Hansebooks ist Herausgeber von Literatur zu unterschiedlichen Themengebieten wie Forschung und Wissenschaft, Reisen und ...
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Joseph Haydn - Divertimento "Il maestro e lo scolare" Hob. XVIIa:1
Which of his pupils did Haydn have in mind when he composed his humorous “Divertimento à due per il Clavicembalo solo”? It was written at a time when works for piano four-hands were still the exception – and instead of ...
Ludwig van Beethoven - Serenade op. 41 für Klavier und Flöte (Violine)
The Serenade op. 41 is based on Beethoven’s Opus 25 for flute, violin and viola. Although the version for piano and flute (or violin) did not originate from the composer – but was probably undertaken by the composer Franz Xaver ...
Wolfgang Amadeus Mozart - Sinfonia concertante Es-dur KV 364
No serious musician and no serious orchestra can ignore this new Urtext edition of a major work of concerto literature, since the music text frequently diverges from that of previous editions. All the sources were meticulously examined, ...
Johannes Brahms - Violinkonzert D-dur op. 77
Brahms’ only violin concerto was given a very warm reception by his contemporaries and has been an important piece in the violin repertoire ever since. It bears witness to Brahms’ fruitful collaboration with Joseph Joachim, who ...
Wolfgang Amadeus Mozart - Rondo D-dur KV 485
This Rondo was written around the same time as the Piano Concertos in A major (K. 488) and c minor (K. 491). In the course of the work, a theme from the third movement of the Piano Quartet in g minor (K. 478) is taken up and further ...
Johann Kuhnau - Sämtliche Werke für Tasteninstrument
Johann Kuhnau, who preceded Johann Sebastian Bach as Thomas Cantor in Leipzig, left a wealth of works, including pivotal compositions for keyboard instruments. Now for the first time all of these works are appearing in one volume. Peter ...
Johann Nepomuk Hummel - Potpourri (Fantasie) op. 94 für Viola und Orchester
Hummels “Potpourri” for Viola and Orchestra op. 94 is part of every viola player’s core repertoire, especially in its shortened version, the “Fantasy”. Sprinkled with quotes from operas by Mozart and Rossini and framed by ...
Antonín Dvorák - Dumky · Klaviertrio op. 90
“At certain points it will be like a serious song, at others like a happy dance …” This was how Dvorák described the work which he was composing at the time to a friend in 1890. The word “Dumka” (plural “Dumky”) actually ...
Robert Schumann - Fünf Stücke im Volkston op. 102 für Violoncello und Klavier
Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived as original works for the cello. ...
